Los Caprichos (Dover Fine Art, History of Art)

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Un des exemplaires.

Exemplaire num. Tome II. Harteveld Rare Books Ltd. Quatre-vingt-cinq eaux-fortes reproduites au format original. Sans jaquette. Introduction par Antonina Vallentin.

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  5. Goya essay los caprichos November 12222.
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Los Caprichos

Textes de Goya extraits de ses notes. Soft cover.


  • Goya’s Los Caprichos: A magnificent failure.
  • Los Caprichos (Dover Fine Art, History of Art).
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  • NO international shipping for this book We ship daily good service buy with confidence. As New. Royal Academy of Arts Winter Exhibition Corners curled a trifle. Olive paper wrappers. Soft Cover. Used - Good. Shows some signs of wear and may have some markings on the inside.

    Above: Fig 1. Enrique Chagoya, Contra el bien general.

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    Against the common good. Edition of Below: Fig 2. Enrique Chagoya, Estragos de la guerra. Ravages of war.


    • The Recurrence of Caprice: Chagoya’s Goyas?
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    • Johnson taught from the collection, and the final assignment could be either a paper or a work of art. It was a very exciting feeling. Chagoya has returned to this format again and again over the course of his career: his most recent portfolio of etchings after Caprichos appeared this spring. Of his 34 intaglio prints after Goya, all but two carefully reproduce the dimensions and appearance of the originals, including plate numbers and collection stamps the remaining pair are original compositions with Goya-esque motifs.

      Full Presentation of: Los Caprichos by Francisco de Goya

      These works have appeared as both stand-alone prints and in portfolios; almost half derive from Caprichos , more than a dozen from Desastres , and three mimic iconic images from Disparates. These appropriations fit into the body of political and social-satirical works he makes in various media. Left: Fig 3.

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      Enrique Chagoya, Linda maestra! A fine teacher! Right: Fig 4. Enrique Chagoya, Porque esconderlos? Why hide them? Chagoya has been fascinated with the art of forgery since childhood. He then traces the image from a Dover Publications book that reproduces Goya prints true-to-scale, flips the tracing over to compensate for the left-right reversal of printing, and using a sheet of transfer paper, traces the outlines of the image onto the grounded plate.

      Chagoya believes that masterful technique is fundamental to the success of his art. Here I realized that the only way I could get close to his lines was by shaking my hand while drawing them, otherwise my lines would be too straight, and I concluded that by the time Goya made his etchings he had to have [had] a shaky hand. I love the shaky lines; they are more beautiful than straight lines. It was a drawing lesson Goya taught me … quite a revelation for my formative years as a printmaker.

      After that, the plate is re-grounded and re-etched to perfect nuances of line.